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#Double nightmare chicago nbc tv
Olmstead also mentioned he couldn’t recall ever seeing a three-show crossover before.Īlso read: Big Screen to Small Screen: 27 Movies Being Made Into TV Shows (Photos) “It invariably raises interest in all of the shows,” “Fire” and “P.D.” Executive Producer Matt Olmstead told TheWrap.
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It kicks off Tuesday night on “Chicago Fire” and continues Wednesday with “Law & Order: SVU” and “Chicago P.D.” The groundbreaking crossover - timed for the November sweep - centers on a child pornography ring that brings the cops, firefighters and district attorneys of three Dick Wolf procedurals together. “Own It” is an undeniable club banger that balances the rapper’s vainglorious attitude with just the right amount of laid-back assonance.NBC is taking the crossover concept into new territory with a mega-event of three signature dramas. Despite the vulgarity that its name implies, “Pussy Poppin” describes a brief and blithe romp that Rico renders in an amusing and catchy way. Rico is either dialing up the drama with chaotic caterwauling or doling out sweetness whenever the mood strikes her. In fact, this jarring shift runs deep throughout Nightmare Vacation. It’s as if Rico’s virulent disposition has been gently tucked away for a slightly more dulcet tune. “No Debate” starts off promising with a slinky and hypnotic beat, but 30 seconds in, it becomes obvious that something is missing. The young pair successfully team up for a collaboration saturated with moody melodicism that feels entirely natural. “Loser,” where she teams up with Trippie Redd, is a thrill ride from start to finish. Rico’s raw screams of “If you wanna rage / Let it out” are visceral and even when she recites lines like “I’m a asshole / What the fuck’s new? / If it’s fuck me, then it’s fuck you!” it feels more defiant than offensive. “Let It Out” is the halfway mark of Nightmare Vacation and serves as the perfect moshpit anthem. “Back and Forth,” which features a cameo from Amine, is lackluster, as well: Two of hip-hop’s most capricious personalities join forces on a track that holds a multitude of promise, only for the duo to remain subdued throughout its execution. “STFU” feels slightly stale, with a repetitive chorus that spells out the acronym quite predictably. Amidst declarations of unapologetic madness, the lightness of “IPHONE” is a nice distraction and even a line like “Smoking so much gas / I forgot to put my mask on” feels jovial with its timely double entendre. “IPHONE” is one of the best moments on Nightmare Vacation, as Rico channels her playful side in the most alluring of ways. However, it still maintains its excitement as all three virtuosos bring a certain quirkiness to the song. “Don’t Like Me” is a synthy trap dream where appearances from Gucci Mane and Don Toliver compliment Rico’s craziness with a more soothing approach. “Call me crazy / but you can never call me broke” is not as much a taunt as it is a threat, which she expresses in a deceptively cheeky manner. Opener “Candy” is a classic in her arsenal its boisterous, bass-heavy percussion shows she can accelerate from docile to spine-chilling in under five seconds. This new record zeroes in on Rico’s vocal nimbleness and her cogent authenticity that has become more transparent with each project she releases. Last year’s Anger Management was the pinnacle of her righteous indignation the nine-track collaborative mixtape with Kenny Beats powerfully outlined all of Rico’s harrowing complexities with clarity. A slew of mixtapes, which she began releasing in 2014, showcased a ravenous young artist turning her vehemence into gold. Although she is still considerably new to the rap game, Rico quickly made it clear that she would carve out her unique path with her bare hands if she had to. Nightmare Vacation, the debut studio album from hip-hop rage queen Rico Nasty, is a musical manifesto proclaiming her sonic boldness and emotional progression.